We perceive reality as a cinema session: all the spectators look at the screen on which the film is projected, they only see that and they believe in it. Everyone has the same behavior and the same look. And yet, the source of the projected image is behind them.
The most important thing is the projector, because it is the source. And yet she is invisible and ignored by everyone. And for good reason, because the projector is at the back of the room, behind a wall in total darkness. Viewers must detach themselves from the film in order to remember the projector and its reality. You just have to remember that it is only a film in order to turn and perceive the source of the spectacle. This reversal does not modify the film but changes the perception of the spectators.
Our reality is ternary. But we only look at the final manifest which is our material reality. Because there is the visible material result and its invisible source. And between the two, a ray which crosses the room. Ternary reality therefore contains three parts: the invisible source, the always invisible projection and its final visible projection. The film, like an illusion of spectacle, being the final result of this entire creative process.
Films can change, whatever their styles, their atmospheres and their audiences. But this ternary process of projection/creation remains immutable. In the same way, our reality may change and our objective visible environment may vary fundamentally, but the divine process of creation remains unchanged and eternal.